Philip Everett began music at the age of 9 on clarinet shortly there after moving on the drums when he was 13 where he began his studies in junior high school with Warren George from the Stan Kenton band. Warren believed in trial by fire and stuck Phillip in a room alone for an hour a day, told him to learn drum rudiments, and put him in advanced orchestra & marching band the following semester. That trial led him directly to Bartok, Debussy, and Gershwin as well as New Orleans style 2nd line marches. Furthering his studies he sought after George Marsh and Eddie Moore where he was taught the finer subtleties of the drums. Phillip states, “These guys taught me to relax and trust my own instincts and that pursuit of one's own uniqueness was not a negative quality”.

Armed with an array of teachings Phillip, became the leader of various groups over the years. In 1967 he began his first group Ice, a psychedelic R & B group performing music in the style of Otis Redding, Jimi Hendrix & Obscure Soul & Blues & funk jazz. The band toured the Midwest in an old black city bus, opened for bands like Canned Heat, and Sweetwater utill the group members went their separate ways in 1972. Many of the members went on to play w/Peter Frampton, Tommy Bolin, Cannonball Adderly, Luther Tucker, Members of the Eagles and other lesser known artists in the one minute of fame category.
Undaunted by the end of his first group Phillip pushed ahead and created Arrival in 1974. This group was significantly different then his early psychedelic R & B days. This progressive rock band featured the electronics of David Toby & bassist Ray Schaeffer. This group combined elements of hard rock, folk, world music, electronic improvisation & composition. They found themselves almost signed to several major record labels but the music was difficult for the music corporations to pigeonhole.
In 1985 he formed Sound Oasis, a six piece jazz group theat performed at the Vintage Inn in West Oakland for a number of years.
After numerous other projects Phillip found himself making a living performing with various country & western groups including his own such as The Homewreckers, and The Ghettobillys. They performed at honky-tonk bar rooms up & down the delta between Richmond & Stockton California until 2000. Although he was making a living his calling was not being fulfilled. His experience from his earlier development brought him to the conclusion that discovering new music was much more truer to his heart and left it all for his decision to play only creative music in the direction of sonic exploration.
His current projects include Tri-Cornered Tent Show, an improvisation group that explores music inspired by H.P. Lovecraft, various group concepts with saxophonist Rent Romus including the Abstractions, and writing experimental country music for his project “White Buffalo, Midwestern Gothic”.