Listen on:
In what appears to be taking shape as the dark ages of the early 21st century, simply endorsing the music that comprises Configurations 2002 – buying it, listening to it, and above all making it — can be seen as an act of rebellion. With political and cultural hegemony increasingly becoming the new world order of the day, radical free-thinking creativity runs directly counter to the seemingly inexorable tendencies of globalization and AOLTime Warner assembly line entertainment. It takes refuge in such virtually undisclosed locations as 21 Grand, The Luggage Store Gallery, 1502 Performance Space, and Kimo’s, venues unknown to the general public while faithfully sustained by the San Francisco Bay Area’s creative music community. On one day in May, 2001, and three
days in January, 2002, Jim Ryan gathered the various configurations of his aptly named Forward Energy ensemble in those subterranean haunts and recorded five hours of spontaneous music-making, which have been distilled into this potent double CD.
- Jim Ryan - alto/tenor sax, flute, percussion
- Alicia Mangan - tenor saxophone
- Spirit - drums, percussion
- Scott R. Looney - prepared piano, melodica, e-piano, laptop computer electronics
- Rent Romus - alto,m soprano saxophones
- Damon Smith - double bass, violin
- Eddie Gale - trumpet
- John ‘Waveman’ Gruntfest - alto saxophone
- Peter Valsamis - drums
- Donald Robinson - drums
- Adam Lane - double bass, violin
Listeners will be surprised just how, well, listenable this record is. That’s because its most solid, lively moments challenge the popular conception that improvised music is merely noise. Ryan’s successes are making listeners think about and feel his music.
Jay Breitling, Splendid
This recording provides a robust showcase of some veteran improvisers who deserve greater notice.
Adam Hill, Signal to Noise
Aylerian cries…carnal tones… mammoth…the compositions mix hard bop, new thing and fusion impulses, Robinson’s rock solid beat keeps the time
steady enough for Ryan on alto to show that fealty to David “Fathead” Newman and Hank Crawford soulfulness enlivens his avant-garde leanings…
Ken Waxman, Jazz Weekly
This is music that, repays close listening…a psychic connection so necessary for repeated hearings…a late-sixties Atlantic groove with free interplay over the top and it works very well.
Steve Koenig, one final note